filecasterprimagenabFollowing NAB 2009, many of the top manufacturers in the broadcast industry will hit the road as part of a tour sponsored by TV Pro Gear. This 15-city event will feature the hottest gear first exhibited at the trade show including the latest products from Panasonic, Harris, ND SatCom, For-A, Doremi, Clear-Com, Telecast, Gerling, AJA, and Apple.

All this gear will travel the Western US inside TV Pro Gear’s latest creation, The FileCaster™, a power-packed six-camera remote HD production platform and hybrid satellite truck. Attendees will experience the complete feature set of the vehicle while learning about the vast array of equipment contained therein.

“The hottest HD Cameras, switchers, DDR’s, satellite equipment and post-production gear. We have it all,” said Chan Mahon, President of TV Pro Gear, “And the versatility and power of the FileCaster™ allows us to showcase everything in a complete studio environment.”

The gear displayed on this tour includes Panasonic AJ-HPX2000 and 300 Camera Packages, For-A HVS300HS Switcher, DoReMi Image Server, Harris Panacea Router, ND SatCom Uplink Solution and a complete Apple Final Cut Pro Suite. Experts will be on hand to outline the features of each piece included in the FileCaster™ and demonstrate how everyone from churches to broadcasters to colleges to military bases can take advantage of the latest broadcast technology.

“This is the next best thing to actually attending NAB, and in many ways it’s better,” says Mahon, “Guests will enjoy a more individualized experience without having to part with any precious dollars for travel expenses.”

The TV Pro Gear NAB Highlights Tour will stop in the following cities on the following dates:

  • Las Vegas for NAB 2009 from April 20th – 23rd
  • Phoenix on April 27th and 28th
  • Tucson on May 1st
  • San Diego on May 6th and 7th
  • Long Beach, CA for the WFX Show on May 14th and 15th
  • Fresno on May 18th
  • San Francisco on May 21st and 22nd
  • Sacramento on May 26th
  • Eugene, OR on May 29th
  • Portland on June 1st and 2nd
  • Seattle on June 8th and 9th
  • Vancouver on June 15th and 16th
  • Spokane on June 22nd
  • Boise on June 25th
  • Salt Lake City on June 29th and 30th

Each tour stop is open to the public with no cost for admission. Learn more about the tour and sign up to reserve your spot!

wfxshowlogo2In addition to its grand debut at NAB 2009 in April, TV Pro Gear’s FileCaster™ will hit the trade show circuit at the Worship Facilities Conference and Expo (WFX Show) in Long Beach, CA on May 14th and 15th.

The FileCaster™ is a a power-packed six-camera remote HD production platform and hybrid satellite truck allowing users to shoot anywhere and transmit everywhere. Experts from TV Pro Gear will demonstrate how the truck can benefit houses of worship in everything from recording and broadcasting church sermons to handling the multimedia requirements for large-scale fellowship events such as a concert or musical.

Attendees will be amazed at the functionality of the FileCaster™.  The truck can handle literally every audio and video need for a House of Worship at a price tag that is totally unparalleled.

In addition to being on exhibition at the WFX Show, the FileCaster™ will cover the event. This will include audio/video production of the keynote address, live coverage of the show floor and possible live streaming to the WFX Show’s website. This will allow guests of the show to see the FileCaster™ and its capabilities in a true production and broadcast environment.

Learn more about the FileCaster Hybrid Production Solution and TV Pro Gear’s NAB Highlights Road Show.

In order to meet the increasing demand for its FileCaster, a power-packed six-camera remote HD production platform and hybrid satellite truck, TV Pro Gear has expanded and changed many of its upcoming tour dates in the midst of overwhelming demand from trade shows and potential clients.

The new tour dates are as follows:

  • NAB, Las Vegas: April 20-25 – Sign-Up
  • Phoenix, AZ: April 27-30 – Sign-Up
  • Tuscon, AZ: May 1-4 – Sign-Up
  • San Diego, CA: May 6-9 – Sign-Up
  • Long Beach, CA – WFX Show: May 12-15
  • Fresno, CA: May 18-19 – Sign-Up
  • San Francisco, CA: May 21-25 – Sign-Up
  • Sacramento, CA: May 26-27 – Sign-Up
  • Eugene, Oregon: May 29-30 – Sign-Up
  • Portland, Oregon: June 1-4 – Sign-Up
  • Seattle, WA: June 8-11 – Sign-Up
  • Vancouver, BC: June 15-18 – Sign-Up
  • Spokane, WA: June 22-23 – Sign-Up
  • Boise, ID: June 25-26 – Sign-Up
  • Salt Lake City, UT: June 29-July 2 – Sign-Up

Please visit TV Pro Gear’s FileCaster Tour Home Page to learn more about the where we’re going and what you’ll be able to see.

TV Pro Gear FileCaster

TV Pro Gear will unveil FileCaster™, a power-packed six-camera remote HD production platform and hybrid satellite truck, at NAB Booth #OE100.

FileCaster™ is a hybrid production truck based on TV Pro Gear’s successful FLYPAK™ technology. Combining the power of a conventional production truck with the ultra-portability of a FLYPAK™ and DSNG, this unique production truck is loaded with industry leading HD products from respected manufacturers like Panasonic, For-A, Harris, ND SatCom, AJA, and Apple, giving it the power needed for today’s challenging and cost restrictive productions.

“The FileCaster is the ideal solution for anybody in need of a powerful production, broadcast, or post-production solution with mobile and satellite capabilities,” says Chan Mahon, President of TV Pro Gear, “It offers all that in one package, providing maximum efficiency while going easy on your budget. We designed this package to allow even the most cash-strapped clients obtain maximum power and quality.”

The FileCaster™ bridges the gap between traditional ENG news vehicles and large video production trucks allowing remote production and editing of shows and events in a completely tapeless environment while simultaneously streaming the images to satellite, cell phones and the Internet.

In addition to its DSNG capabilities, the FileCaster™ records in both standard definition and high definition. In HD, it supports every popular format and frame rate in use worldwide. It can even be equipped with robotic cameras capable of ultra-high resolution with ultra low-light sensitivity for critical surveillance uses. All this power is packed into a compact and affordable platform.

“Broadcasters, Houses of Worship, Colleges, Schools, Military, Casinos, Sports Producers, Convention Centers, Corporate Media Departments. They can all benefit from the versatile capabilities of the FileCaster™,” said Vince Castell, VP of Sales for TV Pro Gear, “The applications for this vehicle are virtually endless. Anybody employing video in a significant way will greatly benefit from its array of features. In short, you can shoot, edit, and transmit with one compact unit.”

One such feature is the removable FLYPAK™, a mobile HD studio in a box that forms the heart of FileCaster™’s production capabilities. It can be removed from the FileCaster™, moved around buildings in elevators, flown on commercial aircraft, and deployed in minutes. FLYPAK™ retains the majority of its core capabilities when removed from the FileCaster™, giving it the unique capability to continue shooting HD and SD footage while it is away from the truck.

“The removable FLYPAK™ is what sets FileCaster™ apart from every other production vehicle on the market,” says Mahon, “It allows for maximum portability and the ability to go places inaccessible for standard production vehicles.”

FileCaster™ will make its debut at NAB 2009 and will be featured at the Gerling & Associate’s booth – #OE100 in the Orange Lot outside the Convention Center. Immediately following NAB, TV Pro Gear and a number of top manufacturers involved with the FileCaster will take the unit on a multi-city national tour to demonstrate the capabilities of this flexible platform to prospective clients. Details of the tour are available at the TV Pro Gear’s web site.

On March 19th, TV Pro Gear Welcomes Chyron to its headquarters for an open house and hands-on demonstration of its complete product line.  Attendees will get a detailed guide to the hottest Chyron gear including the latest HyperX Products and LyricPro Software.

Experts from Chyron and TV Pro Gear will be on hand to walk guests through all the exciting features of the wide variety of Chyron solutions.  It’s not just CG anymore!

This event is open to the public and absolutely free.  Just drop by our HD showroom at 1630 Flower Street in Glendale, CA on March 19th anytime between 2:00PM – 6:00PM.

Click here to sign up to attend the event.

panasonicaghpx300-2On March 10th, TV Pro Gear will hold an open house featuring the latest Panasonic P2 Products along with several other hot items from the manufacturer. These will receive their grand debut at NAB 2009 – but TV Pro Gear is giving you the opportunity to experience them before anybody else gets the chance.

On hand will be experts from both Panasonic and TV Pro Gear to guide you through the exciting features of all these brand new products with demonstrations of how they will fit into and improve your existing workflow.

This event is open to the public and absolutely free. So please stop by our HD Showroom at 1630 Flower Street in Glendale anytime on March 10th between 2:00PM – 6:00PM and see these cutting-edge new Panasonic products before they’re unveiled at NAB.

Visit http://www.tvprogear.com/panasonicdemodaysignup.htm to reserve your spot.

Products Featured:

Panasonic AG-HPG20 P2 HD Portable Recorder

Panasonic AG-HPX300 P2 HD Shoulder-Mount Camcorder

Panasonic BT-LH2550 25.5″ Multi-Format Color LCD Production Monitor

Panasonic AW-E870 HD Box Camera TV Pro Gear

Internal video communications at AT&T have advanced significantly thanks to two new mobile production systems featuring the Broadcast Pix Slate 3000 live integrated production system. Delivered in October 2008 by TV Pro Gear, a systems integrator based in Los Angeles, the new HD Flypak™ mobile production systems are used to produce and stream HD programming live to tens of thousands of employees.

In the past, AT&T relied on analog production systems in multiple cases, but its Internal Communication Media Division needed mobile production solutions that could be run by one person. “The Slate switchers are the only production switchers on the market with a built-in CG, clip store, and multi-view monitor. This is precisely why AT&T chose the Broadcast Pix Slate 3000 switcher,” said Chandos Mahon, Jr., TV Pro Gear senior vice president. “The Slate 3000 adds an integrated router for more I/O and redundancy. This cuts down integration time and saves the client money.”

While the Slate 3000 can handle up to 18 inputs and features PixButtons to identify each source, AT&T maintains a four-camera setup. In one configuration, a single operator controls three Panasonic AK-HC1500G “box” cameras with Fujinon HAS18×7.6BMD-DSE lenses. A second configuration uses the Panasonic cameras as studio cameras. In addition, a Panasonic AJ-HDX900 camcorder is available for studio or ENG use.

During its live webcasts, AT&T records its productions. Using the line out from the Slate 3000, the director can record to a DVCPRO HD VTR, plus record a QuickTime file to an external RAID for native editing using Final Cut Pro.

“The Broadcast Pix switcher has become the premier choice for an all-in-one professional HD switcher,” Mahon said.

AT&T’s HD Flypak features a pull-out storage drawer that doubles as a work surface during productions. The Broadcast Pix switcher is mounted in the drawer, along with camera controls and the audio mixer.

On March 5th, TV Pro Gear welcomes PlayBox to its HD Showroom for a complete hands-on demonstration of its complete line of broadcast automation products.

 

This open house will feature PlayBox’s hottest automation solutions including the TitleBox and AirBox products.  These are the engine behind 6,000+ channels on air worldwide offering playout, graphics and automation in one 3 RU system.  It’s a system which offers 100% of the functionality you need at 25% of the price you would pay elsewhere.

 

 “PlayBox offers the most exciting and cost-effective solutions available for broadcast automation available,” said Boris Tahmasian, director of marketing for TV Pro Gear, “Through this seminar our guests will be treated to a variety of outstanding automation solutions that they can demo in a real broadcast environment.”

 

On-hand will be experts from both TV Pro Gear and PlayBox.  They will offer demonstrations of PlayBox’s complete product line and walk guests through hands-on trials.  TV Pro Gear’s integration team will also demonstrate how PlayBox’s automation gear can best maximize the efficiency of a complete broadcast workflow.

 

 “This seminar is more than just a showcase of PlayBox’s products,” said Tahmasian, “It’s a complete demonstration of how their automation solutions can best maximize the efficiency of a broadcast studio.  This free seminar will save our guests time and money, both of the utmost importance in these tough economic times.”

 

This seminar is open to the public and absolutely free.  It will be held in TV Pro Gear’s HD Showroom at 1630 Flower Street in Glendale, CA on March 5th from 1:00PM – 6:00PM.  Visit http://www.tvprogear.com/pages/playboxdemoday.aspx to reserve your spot.

filecasternewAt NAB 2009, TV Pro Gear will unveil its new mobile production solution: The FileCaster.
 
The FileCaster™ is the latest in TV Pro Gear’s line of mobile production solutions.  FileCaster™ is a low cost, high quality, multi-camera production vehicle.  It is capable of a live production with slow motion, instant replay, satellite transmission and streaming to the Internet. Core functionality is contained in a FLYPAK™ that can be quickly removed for shooting in places where a truck can’t go. FileCaster™ is a multi-task, multi-cast production platform.
 
“The FileCaster™ is the perfect solution for stations facing a budget crunch during the economic crisis,” says Chan Mahon, President of TV Pro Gear, “It’s the perfect way for companies to continue to innovate without stretching themselves beyond their financial means.”

TV Pro Gear is so confident in the quality of its solution that it will embark on an 11-city tour immediately following NAB with a massive 40-city cross country tour to follow.  This tour will feature the FileCaster™ along with the array of equipment contained therein aimed at a variety of potential clients including Broadcasters, Churches, Colleges, Government, Military bases and Casinos.

panasonicaghpx300-2Panasonic unveiled the world’s first affordable 10-bit, 4:2:2 professional HD camcorder, featuring individual frame AVC-Intra recording, native 2.2-megapixel imagers and variable frame rates. Incorporating an innovative, low profile shoulder mounted design, the 1/3” AG-HPX300 P2 HD camcorder offers the flexibility of interchangeable lens but comes standard with a 17x HD Fujinon lens.

The HPX300 imager incorporates advanced 1/3” 2.2-megapixel 3-MOS technology to acquire full native resolution HD images. With a redesigned optical block and a high-precision prism bonding technology, these advanced 3-MOS imagers provide exceptional image quality while minimizing any flare or chromatic aberration. A new 20-bit digital signal processor (DSP) also enhances the HPX300’s image performance. The solid-state 1/3” HPX300 offers the security of a five-year warranty program (1 year + 4 additional years with registration), ultimate quality and flexibility in an affordable, full-size HD camcorder.

“The HPX300 establishes a new benchmark for performance within this price range,” said Robert Harris, Vice President, Panasonic Broadcast. “It not only captures full native 1920 x 1080 HD resolution, but it allows professionals to record at a quality level that no other camcorder in this price range can equal. Without the compromise of 8-bit, long GOP, 4:2:0 recording, the HPX300 provides master-quality, 10-bit, 4:2:2 individual frame capture using our award winning AVC-Intra codec. Video professionals will immediately realize that this camera is in a field of its own.”

Delivering the impressive quality of AVC-Intra 100 and AVC-Intra 50, the HPX300 also records individual frame images in 100Mbps DVCPRO HD and in standard definition in DVCPRO50, DVCPRO and DV. The AVC-Intra 100 and 50 codecs allows recording in a choice of HD video formats: 1080/59.94i, 1080/29.97P and 1080/23.98P (native 24p/30p), and 720P with variable frames in 23.98pN, 29.97pN and 59.94P. In DVCPRO HD, the camcorder records 1080/59.94i, 1080/29.97P, 1080/23.98P, 1080/23.98pA, 720/59.94P, 720/29.97P, 720/29.97pN and 720/23.98pN. In DVCPRO50/25 and DV, it records 480/59.94i, 480/29.97p, 480/23.98p and 480/23.98pA. The 1080P and 480P signals are recorded with 2:3 pull down (23.98p) or 2:3:3:2 advanced mode (23.98pA). The camera also supports 1080/23.98PsF output (via HD-SDI) for use in high-end movie production. The output of the camera can be set for down conversion or cross-conversion with letterbox, 4:3 crop or squeeze.

The HPX300’s interchangeable lens design gives video pros the flexibility to utilize a wide range of broadcast and production HD lenses. The camera is equipped with numerous popular features including Chromatic Aberration Compensation (CAC) to maximize lens performance, built-in scan reverse for use with film lenses, a Dynamic Range Stretch (DRS) function to help compensate for wide variations in lighting, a waveform and vector scope display, and two focus assist functions – a picture expanding function and a focus bar.

For added creative flexibility, the HPX300 also has variable frame rate functions for creating fast and slow motion effects. In 720p mode, a user can choose between 20 variable frame steps between 12p and 60p. Because the HPX300 records images at the frame rate set in the camera, users can preview the speed effect right on the spot, without using a frame rate converter. When working with the camera’s advanced 1080/480 24pA mode, users have the option of using 2:3:3:2 pull down, which allows most nonlinear editing systems to easily extract 24 frames on ingest.

Equipped with two P2 card slots and new 64GB P2 cards, the HPX300 offers recording capacity that exceeds that of tape based camcorders. The HPX300 offers all the benefits of a faster, file-based P2 HD workflow including such recording features as instant recording startup, clip thumbnail view for immediate access to video content on all cards, and a host of time-saving recording modes including continuous recording, card slot selection, hot swapping, loop, pre-record (three seconds in HD and seven seconds in SD), one-shot and interval recording. The camera also features an SD memory card slot for saving or loading scene files and user settings, or proxy data (optional AJ-YAX800G Proxy board required).

The HPX300 has advanced gamma functions offering six shooting scenarios, including the popular Cine-Like Gamma modes found on Panasonic’s popular VariCam, which gives recordings the characteristic warm tone of film recordings. A scene file dial on the side of the camera provides quick access to six pre-loaded settings; the dial can also be programmed with user-defined settings.

The camera’s interfaces include two SDI outputs (switchable between HD/SD-SDI output), video output (down-converted SD video only), IEEE 1394, USB 2.0 interface compatible with host mode, time code input/output (with built-in SMPTE time code generator/reader). Additional features include Genlock input, 4-position ND optical filter controls, DC power input, color bar switch, three XLR audio jacks (one in the front, two on the rear), wireless microphone slot (2-channel UniSlot wireless receiver compatible) and programmable user buttons.

The HPX300 can also be used as a studio camera. It is equipped with a remote control terminal (RCU) for use with the optional AJ-RC10G Remote Control Unit and compatible studio remote control systems. Later this year, Panasonic will release a customized studio configuration system for the HPX300, which will include the AG-BS300 base station, AG-EC4 extension control unit (ECU) and AG-CA300 remote control camera adapter.

At eight pounds, the HPX300’s lightweight, well-balanced design and ergonomic handle makes it comfortable to use. All operation switches, volume controls and card slots are on the left side for easier operation. The HPX300 is equipped with a widescreen 1,226,000-dot LCOS color viewfinder and a widescreen 921,000-dot 3.2-inch LCD color monitor. Its power consumption is low at only 18 watts.

The HPX300 will be available in March at a suggested list price of $10,700. The studio configuration add-on package for the HPX300 will be available later this year for less than $10,000.

Learn more about the Panasonic AG-HPX300 P2 HD shoulder-mount camcorder.

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